Oil paintings in the Northern European figurative tradition — where candlelight is moral argument, and every painting has a thesis.
I came to painting late — in my mid-fifties, after a career in engineering and a life in sport. What I had was thirty-five years of accumulated things worth saying and, finally, the language to say them.
I paint in oil, in the tradition of Northern European figurative painting. I work with chiaroscuro — light emerging from darkness — as both a technical discipline and a symbolic language. My subjects are people I know, situations I cannot look away from, and objects that carry more weight than their surfaces suggest.
My work is not decorative. Every painting has a thesis.
— E.S., NorwayThree paintings. Three women. Three poets. A complete philosophical argument about what it means to carry light in a darkening world — from Cohen's redemptive cracks, through Thomas's furious resistance, to Byron's terminal darkness.
The series is complete. It is offered for acquisition as a unified body only.
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